Ángel performs an overhead kick on the opponent, then a flurry of attacks that ends in her placing the opponent's face in her cleavage, and finally a headlock throw to finish them off.Īthena launches the opponent with a Psycho Sword, then kicks them back down into the floor and atomizes them with a gigantic Psycho Ball with a smile on her face.īandeiras performs a quick series of ninja signs before using mirror images to unleash a lightning-fast barrage on the opponent from both sides. Even characters that had relatively easy inputs for their Climaxes in KOF XIV (such as the aforementioned Gae Bolg or Ángel's Ascension Time) have all had their inputs changed accordingly.Ĭlimax Super Special Moves in KOF XIV Base Roster MemberĪlice flies in with a Burn Knuckle on the opponent, then hits them with an overhead punch, and then finishes off with an overhead kick, clumsily tripping and glancing at the camera in the process.Īndy dashes across the screen as it fades to black, then finishes the opponent off with a devastating Zan-ei Ken. Some also act as counters (notably Daimon's Kyoutendouchi or Jenet's Ennui Mademoiselle), and can still be canceled into after certain Super Special Moves as well.Īdditionally, all Climax Super Special Moves consume three stocks of the Power Gauge and can be used at any given time should that requirement be met.Īs of KOF XV, every Climax SSM is always performed with +. Additionally, not only do most of them have full-body Invincibilty by default, but some of them can also be used to control a sizeable portion of the screen (such as Joe's Bakuretsu Screw Premium or Krohnen's Calamity Overdrive) or even evade attacks that would be otherwise difficult to avoid (such as Heidern's Gae Bolg or Whip's Depravity Branding, which can be used to evade the latter two attacks). Unlike regular Super Special Moves, Climax Super Special Moves, as the name would imply, are much more cinematic in their execution, making use of cinematic angles to add to the hype in the heat of the moment while executing one.
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